Thanks!PauloF wrote:Great explanation (as always) JunoJohn!!
I probably should have answered the obvious question:JunoJohn wrote:There is no overlap between mappings B and C.
What's the point of all this?
By creating two different mappings, Roland has effectively turned one multisampled waveform into two.
And, why is that useful?
As Watermelon mentioned, you can create a stereo sound by panning Waveform B to one side and Waveform C to the other.
Creating a stereo sound would be a problem if you only had Waveform A with which to work.
You can also thicken a sound by layering and detuning Waveforms B and C. (This also helps to hide any obvious loop points.)
If you layer and detune two copies of just Waveform A, you would likely have issues with phase cancellation.